MonsterFest Wrap-Up

MonsterFest 2018 is now in the history books.

As always, we had a great time visiting Dr. Phibes and Co. There was lots of beer, cocktails, and tasty food. Saturday, we went on a boat trip to Cumberland Island and got to see Dolphins. That was super cool. That afternoon, Dr. Phibes and I went and saw the new Halloween movie. We thought it was aces! Don’t listen to the haters.

We also watched and seriously loved The Curious World of Christine McConnell (which is now streaming on Netflix). It’s so wonderfully weird and quirky. We laughed quite a bit.

How can you not love Rose (reanimated roadkill with lots of sass … and a nipple fetish)?
Rose Loves Nipples
Rose Loves Nipples

The drives down and back were quite annoying. It seems like you can’t go anywhere now-a-days without road construction and dumbass drivers making the trip long and frustrating. We did end up detouring on the way down (because of a wreck) and got to see some tiny BFE crossroads towns in South Carolina’s Lowcountry. It was cool because a lot of those little towns still had beautiful 100 year-old homes. I want a big, rambling, 100 year-old home (preferably with ghosts)!

Anyhoo …

MonsterFest 2018 Movies:
Halloween (1978)
The Changeling
Murder Party 
Wonder Women
Cat People
Planet of the Vampires
The Devil’s Rain
The Colour of Blood
(Thriller, S01E05)
Halloween (2018)
Near Dark
Insidious
The Skull
The Curious World of Christine McConnell (Season 1)
The Horror of Party Beach
Asylum 
The Psychopath 
The Mummy (1959)

MonsterFest Wrap-Up

High Hopes

The trailer for the new movie version of Pet Sematary dropped today … and it looks pretty damn fine! Pet Sematary is probably the most disturbing book I have ever read. So, imagine my disappointment when the 1989 film version turned out to be campy and not at all scary or disturbing. Mary Lambert (director) and Stephen King (who adapted his own book for the screenplay) dropped the ball BIG TIME. I can’t even begin to tell you how much I HATE what they put on film. Here’s hoping that Kevin Kölsch / Dennis Widmyer (directors) and Jeff Buhler (screenplay) give Pet Sematary some much needed big screen justice. We have to wait until April 2019 to find out though. Bummer.

High Hopes

Hereditary [Quickie Thoughts]

Hereditary
Shortlegs and I caught Hereditary last weekend.

I really dug it. Take one messed up family and then mess it a little further through tragedy and maybe something more. I am not going to say much more than that because I don’t want to spoil any of the fun … because there are some genuinely surprising twists and turns. I want to go see this again because there is a lot to unpack.

As a Side Note:
Hereditary is another example of how expectations can ruin the movie-going experience for everyone. The audience we saw it with must have been expecting a “jump scare” marathon. You could feel the mood in the room change about 3/4 of the way through. People started getting restless, making noises, and laughing at things that should have been scary. The people that aren’t enjoying the movie ruin it for those of us who are really into it. It was a total repeat of my viewings of The VVitch and It Comes at Night (both great, unsettling horror movies released by A24 that don’t play well for mainstream audiences). I love that A24 is releasing more unconventional horror movies. I just wish the general public would catch on to this as well and leave anything with A24 before the title to us hardcore horror fans.

Hereditary [Quickie Thoughts]

Spotted on QE …

Queer Eye and Hannibal
I broke down (mainly because I was bored) and watched the reboot of Queer Eye on Netflix. The show was pretty fun … but what really caught my eye was the The Art and Making of Hannibal: The Television Series book prominently displayed on Joe’s bookshelf in the Below Average Joe episode. It’s a sweet book about one of the best shows ever to be televised. It caught Bryan Fuller’s eye as well. How fun. It’s nice to know Joe has great taste (pun not intended) in television.

Spotted on QE …

MonsterFest is a Wrap

Four days and 16 movies later, MonsterFest 2017 is now in the history books.

Dr. Phibes and Co. traveled up here this year to a swank rental cabin. They checked in on Friday and we were off to the races with too much beer and junk food. And that was pretty much the weekend.

Beer. Junk Food. Movies. Hot Tub (thank you, rental cabin).

As always, it’s great to see Dr. Phibes and Co. It happens way too rarely. One day (hopefully) they will get the hell out of Florida and get back to the mountains.

MonsterFest 2017 Movies:
The Finals Girls
Night of the Creeps
Bubba Ho-Tep
Ouija: Origin of Evil (Don’t laugh. It’s Great!)
The Wicker Man (2016)
Rawhead Rex
Dreamscape
Blacula
Baby Driver (The Obligatory Non-Horror Offering)
Miracle Mile
Sugar Hill
Poltergeist (1982)
Hell Night
Dog Soldiers
Slither
Dead of Winter

MonsterFest is a Wrap

Another Year … Another MonsterFest!

The ending of October means that another MonsterFest in the wilds of North Florida has come and gone. Dr. Phibes and Co. hosted an excellent few days away … as always. We seem to be getting lazier and lazier about getting out of their house … but that’s fine by me. Beer + Horror Movies + Good Friends = Happy Chas.

Here’s what we watched …
“The Silent Scream” (Hammer House of Horror)
“Grizzly”
“Island of Lost Souls”
“Cabin in the Woods”
“Final Destination 5”
“Vampire Circus”
“Trick ‘R Treat”
“Jaws”
“The Fog” (1980)
“The Mask of Fu Manchu”
“Murders in the Zoo”
“The Walking Dead” Season Three, Episode Three
“Le Strega” (Thriller)
“King Nine Will Not Return” (The Twilight Zone)
“The Legend of the 7 Golden Vampires”
“The Old Dark House” (1932)
“Devil”
“The Zanti Misfits” (The Outer Limits)
“What’s the Matter with Helen”
“The Children of the Full Moon” (Hammer House of Horror)

I gotta say I was totally taken with “Grizzly.” It’s a total “Jaws” rip off but had enough cheese factor going on to make it tons of fun. And I am totally jealous of Dr. Phibes copy of the “Universal Cult Horror Collection” that we watched “Murders in the Zoo” out of. It’s OOP and costs a pretty penny now. Bummer!

Another Year … Another MonsterFest!

MonsterFest ’11 Wrap-Up

The laziness continues! I am now finally getting around to posting about MonsterFest 2011 which happened in the wilds of North Florida with Dr. Phibes and Co. over the days of October 20th – 24th.

Last year, I stated that it was the laziest MonsterFest ever … and I must say that this year probably rivaled that. That’s not a bad thing either. Vacations are for laziness. But, we weren’t lazy on that Sunday and rode down to St. Augustine for a look around (pictures to follow sometime soon).

Past that we relaxed, ate junk food, drank beer, napped, ate junk food, drank beer and (most importantly) watched horror movies!

Here’s a list of what we watched:
“House of Wax” (2005)
“Satan’s Slave”
“Red State” (which isn’t really a horror movie)
Elvira’s Movie Macabre “The Werewolf of Washington”
“El Orfanato”
“The Ghoul”
“I Spit On Your Grave” (1978)
“The Living Dead at the Manchester Morgue”
“Piranha” (2010)
“The House by the Cemetery”
“The Texas Chainsaw Massacre 2”
MST3K “The Touch of Satan”
“Just Before Dawn”
“Revenge of the Creature”
“Slither”
“Anthropophagus”
“Night Gallery” (Pilot Episode)
and
Episodes 1 & 2 of “The Walking Dead” Season Two

As always, big-ups to Dr. Phibes and Co. for a great time.

MonsterFest ’11 Wrap-Up

“American Horror Story” Thoughts


So, yeah. I was pretty excited when the preview for FX’s new series “American Horror Story” hit a few months ago. How quickly that excitement waned when the pilot episode finally aired at the beginning of October. Within that one hour, there were so many genre elements and plot devices. I wondered if the “everything but the kitchen sink” approach was a way to hook viewers and that subsequent episodes would be more focused. Sadly, after four more more episodes, it’s pretty obvious that’s not the case.

I am not sure if the creators/writers think that piling on so much actually makes for a good show. It doesn’t. Not only do we have the (crappy) extra marital affair family drama going on … we have an emo/suicidal daughter, a creepy neighbor that pops up at any given opportunity (apparently none of the doors have locks that can keep this woman out), a monster in the basement, a potential demon baby AND there are ghosts running around of just about everyone that has set foot in house before the previous owners did.

How about our family? Honestly, these are really characters you could care less about. The wife, Vivien (played by Connie Britton), is unemotional and just plain dull. The husband, Benjamin (played by Dylan McDermott), is either yelling or crying or yelling AND crying his problems (he cheated on the wife) to complete strangers. The daughter, Violet (played by Taissa Farmiga), is just emo for no real reason other than her character needs some sort of hook. And it doesn’t help that all our lead characters behave irrationally and there are HUGE jumps in logic in their thinking and actions at just about every turn.

Even the secondary characters are pretty bad. Jessica Lange does all she can but she can’t save every episode single handed. And poor Dennis O’Hare is just … [Chas. shakes head because Mr. O’Hare so underused with such a dumb character.]

I find the way the ghosts are treated to be questionable. Apparently, these ghosts can roam all over the city, be seen by everyone and interact with everyday objects. How would you like to have a ghost maid that can sweep and dust your house AND make you lunch? Could be pretty sweet because you wouldn’t have to pay her! And I won’t even get started on (what I found to be) the super offensively stereotypical gay couple that owned the house previously. There’s nothing quite like have a gay ghost running around your house shrieking about how badly you have decorated the place. Seriously.

The music the show uses is also a big problem. The creative team has apparently felt that it was wise to license a bunch of Bernard Herrmann‘s music. So, far they have cribbed from “Psycho,” “Vertigo” and “Twisted Nerve.” It’s a shame really. When you hear music from famous movies playing over scenes, it just serves to remind you of those better movies that the music came from. Maybe they are doing this to pay homage? Whatever the reason though, it just doesn’t work.

I have some friends who have been watching this show and think that it’s great and that it’s super scary. I just don’t get that. It’s an annoyingly bland mix of generic horror genre elements that relies on a too many cheap scares. Really, it’s more laughable than anything else … and that makes me sad. I was looking forward to another good “horror” television show. I guess I will just have to stick with “The Walking Dead.”

Because the only thing horrifying about “American Horror Story” is just how really bad it is.

“American Horror Story” Thoughts

Let Me In (2010): Some Thoughts


So, critics and horror fans seem to love “Let Me In,” the Americanization of the Swedish film (and novel of the same name) “Let The Right One In.”

Me? Not so much. Maybe if I hadn’t seen the Swedish version first, I would be all up with love for “Let Me In.” But, that’s not the case.

Some things that I really liked in the Swedish version are gone … like the subplot involving neighbors in the apartment complex. That’s replaced but a subplot involved a cop that just really didn’t work for me. Also a major problem for me was the staging of the iconic scene in the swimming pool towards the end of the movie. For some reason the director thought it would be a great idea to stage this in the dark which muddies down seeing all the violence from the cool perspective of being underwater. Dr. Phibes will be happy that the bad CGI cat attack didn’t make it state side. But, alas, it’s been replaced with quite a few badly done CGI shots in other parts of the movie.

Ultimately, what makes “Let Me In” so lackluster is it slavish devotion to the original foreign version. If you’ve seen that, then there is nothing here that’s going to really wind your crank. You’re basically seeing the same movie … just in an American setting with different actors and some very minor plot changes. This was the big problem with “Quarantine” (the almost shot-for-shot remake of the Spanish film “REC“).

All this makes me wonder what the big Hollywood remake of “The Girl with the Dragon Tattoo” is going to be like. Will it be a bold reinvention or a “been there, seen that” affair like “Let Me In?”

Let Me In (2010): Some Thoughts