New 4K digital restoration, supervised by director John Cameron Mitchell and cinematographer Frank DeMarco, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
Audio commentary from 2001 featuring Mitchell and DeMarco
New conversation between members of the cast and crew, including Mitchell, DeMarco, composer and lyricist Stephen Trask, hairstylist and makeup artist Michael Potter, animator Emily Hubley, actor Miriam Shor, and visual consultant Miguel Villalobos
Whether You Like It or Not: The Story of Hedwig (2003), an eighty-five-minute documentary tracing the development of the project from its beginnings in a New York club to its theatrical premiere at the Sundance Film Festival
New conversation between Trask and rock critic David Fricke about the film’s soundtrack
From the Archives, a new program exploring Hedwig’s production and legacy through its memorabilia
Deleted scenes with commentary by Mitchell and DeMarco
PLUS: An essay by Stephanie Zacharek, along with, for the Blu-ray edition, production photos by Potter and costume designer Arianne Phillips, illustrations by Hubley, and excerpts from two of the films inspirations, Plato’s Symposium and The Gospel of Thomas
Thank goodness we had some sun on Saturday. Any break in the monotony of the dreary, rainy weather that has become the standard here is like a life line. We went from Dreary, Rainy Friday to Sunny Saturday to Cold, Gross, Rainy Sunday. Today was also cold and gross. Quadruple Ugh. I am over it!
Isn’t talking about the weather exciting?
Meanwhile … here is something pretty for you to purchase.
So, what do you do when you have a potentially large tax bill looming over you? You order a stupidly expensive limited edition Blu-ray set from Germany, of course! Psycho Legacy Collection Deluxe Edition
World Premiere: Alfred Hitchcock’s classic uncut on Blu-Ray Disc for the first time + Psycho II, III, IV + remake + Bates Motel TV movie + full-length documentaries The Making of Psycho, Psycho Legacy & 78/52 on 8 Blu-Ray Discs including over 15 hours of bonus features + Audio Commentaries and 4×3 Retro Versions + large size 120 page book The Psycho Files by Tobias Hohmann (in German) + Din A1 Poster “Norman Bates” + 4 DIN A2 Posters + 6 Art Cards + Replicas of Sam Loomis’ Letter (English/German) + 25 sheets of “Bates Motel” notepaper and a “Do Not Disturb” door hanger. The edition is limited to 3,636 units.
Someone seriously needs to perform a Limited Edition Blu-ray Intervention. I’m outta control!
This release is beautifully packaged with a stylish, newly commissioned illustration by Matt Ferguson on the cover. It contains a UHD of the feature as well as a Blu-ray feature disc, bonus disc and the original soundtrack on CD. It also contains 5 art cards, a newly illustrated theatrical poster and booklet containing original articles, photography from the set, production notes and an essay from celebrated film journalist Kim Newman.
Malevolent: Unearthing John Carpenter’s PRINCE OF DARKNESS: A brand new retrospective documentary produced by Ballyhoo Motion Pictures and featuring interviews with Cinematographer Gary Kibbe, actor Peter Jason, actor Alice Cooper, composer Alan Howarth, script supervisor Sandy King, visual effects supervisor Robert Grasmere, stunt coordinator Jeff Imada, Carpenter biographer John Muir, film historian C. Courtney Joyner, music historian Daniel Schweiger and Producer Larry Carpenters.
Intro by John Carpenter – an interview with director John Carpenter originally recorded for a French DVD release in 2003
Scene Analysis by John Carpenter – Director John Carpenter analyses key scenes from Prince of Darkness, in an interview from 2003
Audio commentary with John Carpenter and Peter Jason Sympathy for the Devil: Interview with John Carpenter – from 2013
Horror’s Halloween Hallowed Grounds with Sean Clark – a fun tour of the film’s locations hosted by Sean Clark
Super stoked that Criterion has announced a new blu-ray edition of one of my favoritest movies of all time …. Alfred Hitchcock’s Notorious! Such an amazingly romantic and thrilling film. Plus, Cary Grant and Ingrid Bergman. What more do you need? It streets on January 19, 2019.
New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
Audio commentaries from 1990 and 2001 featuring Alfred Hitchcock scholar Marian Keane and film historian Rudy Behlmer
New interview with Hitchcock biographer Donald Spoto
New program about the film’s visuals with cinematographer John Bailey
New scene analysis by film scholar David Bordwell
Once Upon a Time . . . “Notorious,” a 2009 documentary about the film featuring actor Isabella Rossellini; filmmakers Peter Bogdanovich, Claude Chabrol, and Stephen Frears; and others
New program about Hitchcock’s storyboarding and previsualization process by filmmaker Daniel Raim
1948 newsreel footage of actor Ingrid Bergman and Hitchcock
1948 Lux Radio Theatre adaptation of Notorious, starring Bergman and Joseph Cotten
I *finally* got to see The Shape of Water this week. I really liked it. It has great acting in an engaging “adult fairy tale” story with fantastic direction and production design. A minor quibble would be Michael Shannon as the villain. He’s fine in the role, but Shannon has played LOTS of villains and it just seemed like more of the same. Past that, I was totally enthralled by this movie and even got teary-eyed at the end.
My bet is that The Shape of Water will take home Best Picture in a few weeks at the Oscars. I am still rooting for Three Billboard Outside Ebbing, Missouri to win (because it’s great and was filmed locally!) … but I don’t think it will win because of the bad buzz surrounding the character of Dixon.
It’s been interesting to see the outcry on the internet about Wonder Woman and its (supposed) Oscar nomination snubs. I like the movie. LIKE. When I went to see it at the movie theater, I enjoyed it but had some issues with the story (why is this set in WWI and not WWII?) and execution (oh hey, yet another generic, video game-esque CGI battle/climax). Gal Gadot is fine and Patty Jenkin‘s direction of the movie is fine too. FINE, not exceptional. There are certainly much better comic book movies out there (The Dark Knight and Captain America: The Winter Soldier to name a couple). I don’t think that Wonder Woman deserves a less of a critical eye because it’s the best of the (arguably) lackluster DC Extended Universe movies. Which means that I don’t think Wonder Woman rises to the level of being nominated for top honors at the Oscars.
Twin Peaks: The Return is sliding towards it conclusion with only four more parts left. Part 14 was some seriously cool shit, and I am super excited to see what the coming weeks bring. Showtime has said they are in for more Twin Peaks if David Lynch is. Dear God, I hope he is.