
I am soooooooo obsessed with this movie right now.
Movies
I Heart “Black Christmas” (1974)

Fuck that new version of “Black Christmas.” The classic version from 1974 is the way to go. Everything about this production is top notch from Bob Clark’s direction to the great acting to that eerie musical score. This movies also contains one of the scariest images I have ever seen in any horror movie. The tone of “Black Christmas” is very plain creepy from the very start. The movie takes it’s time setting up the charcters and then taking them out one by one. The “obscene” phones calls truly are the stuff of nightmares. The killer really is one of the greatest villians ever put to screen. You never really find out his motivations or backstory (a thing I really admire about this movie). When you finally do see “Billy,” you only get to see his eye and one of his hands which makes him all the more terrifying. He’s like that killer that chases you in your bad dreams. You know he’s out to get you, but you never can quite see him.
So, my advice to you is: Get a copy of “Black Christmas” and curl up under a blanket on the couch and make this holiday season a killer one.
“Blade: Trinity” A Mini-Review


When watching “Blade: Trinity” there are only two things you need to know.
1. Mute the sound totally as the dialogue is really, really bad.
2. Scan forward to any scene featuring Ryan Reynolds and his fantastic formed biceps and totally lickable abs (especially when he’s chained to the floor). Grrrrrrr!
“Here I Am”
And now for your viewing pleasure … the final minutes of one of the greatest movies of the 1980’s … “Elvira: Mistress of the Dark!”
“Agnes, it’s Billy …”
Yes. Yet another remake of a classic horror film is upon us. I really dig the original 1974 “Black Christmas” that Bob Clark directed. About the only thing that makes this remake look interesting is that it’s written and directed by Glen Morgan … of Morgan and Wong fame.
The Name Is …
Robert Altman Dead at 81
Robert Altman, the caustic and irreverent satirist behind “M-A-S-H,” “Nashville” and “The Player” who made a career out of bucking Hollywood management and story conventions, died at a Los Angeles Hospital, his production company said Tuesday. He was 81.
The director died Monday night, Joshua Astrachan, a producer at Altman’s Sandcastle 5 Productions in New York City, told The Associated Press.
The cause of death wasn’t disclosed. A news release was expected later in the day, Astrachan said.
A five-time Academy Award nominee for best director, most recently for 2001’s “Gosford Park,” he finally won a lifetime achievement Oscar in 2006.
“No other filmmaker has gotten a better shake than I have,” Altman said while accepting the award. “I’m very fortunate in my career. I’ve never had to direct a film I didn’t choose or develop. My love for filmmaking has given me an entree to the world and to the human condition.”
I can’t even begin to tell you how sad this makes me …
Silent Hill: A Review

I finally watched “Silent Hill” this past weekend. It’s a movie that I had planned on seeing in a movie theater when it was released but things just kept me from going. I wish now that I had made it. The widescreen images would have been really sweet up there on the big screen.
I liked “Silent Hill” a lot. I have come to think of it less as a “horror” film and more of a dark fantasy or nightmare that you can’t wake up from. It’s all pretty bleak.
It’s kinda like “The Cell” only with a lot better acting (J-Lo you suck!) and story.
Sharon has been adopted by Rose and Chris but she has started having mood altering nightmares and keeps calling out “home” and “Silent Hill.” So, Rose decides the way to end all this is to take Sharon to Silent Hill and find out just what the heck is going on. Can we guess that it’s not the best idea? There’s a car wreck and Sharon disappears into the town. Can Rose find Sharon in the nightmare maze of Silent Hill before it’s too late?
The movie unfolds at it’s own pace as Rose unravels the clues to find Sharon and the who/what/when/where/how of Silent Hill. It’s very much like the video game in that respect as a trail of clues leads from on horrific locale to another. I do wish there had been a few more of the monsters that make the game such a fright fest (and trust me … the game is terrifiying in spots). But there is only so much you can pack into a two hour film. The filmakers did choose some really specific images from the game to use in the film which was cool. You get the idea that they wanted to stay true to the game yet take it just a step beyond. The addition of the underground coal fire (ala Centralia, PA) is a cool addition to the story. It’s all about the atmosphere. There’s a killer cast (Radha Mitchell, Sean Bean, Laurie Holden, Deborah Kara Unger and Alice Krige) that also helps step things up a notch as well.
I have read some reviews where folks have complained that the movie makes no sense. I am not sure where this is coming from as the film even has a “here is what has happened and that is why this is happening” segment late in the film. It all seemed pretty straight forward to me. Or maybe it’s because I loved the really sweet visual style of the movie that I can let certain things slide.
So, yeah. “Silent Hill.” I dug it.
“Let’s show her what we can do.”
Nick is the hottest boy in school and you have landed him. He used to date the rich and pretty Wendy, but now he’s with you. Life really couldn’t be much better. But, wait! The senior prom is here and you just know she is gonna make a move on your man. She’s told you as much already.
“It’s not who you go with, honey. It’s who takes you home.”
And now, here she is … having just walked in the door looking like a woman on a mission in that low-cut, red sequin dress. You just gotta put that bitch in her place and let her know who Nick really belongs to!
Yeah. I am a wee bit obsessed with this …
“Everything is All Right!”

1980. The days of disco were numbered. But disco didn’t die before it could be used prominently in one of my favorite guilty pleasure films … “Prom Night!” It’s fairly straight forward slasher territory and one of Jamie Lee Cutis’s four “Scream Queen” movies.
“A masked killer stalks four teens responsible for the accidential death of a child six years earlier at their high school’s senior prom.“
Key words there are “senior” and “prom.” And it’s a senior prom filled with disco and disco dancing. The center piece of the film is when Jamie Lee and Casey Stevens perform an extended disco dance to show all the kids just who the hottest couple if school is. It rocks! Sadly, the soundtrack to “Prom Night” was only ever released in Japan on vinyl in a very limited quantity. It’s nearly impossible to find … but thanks to the glory of the internet, here are two cuts from the soundtrack. They are not the greatest quality, but that’s a whole beggars/chooser discussion.
“It’s not who you go with, honey. It’s who takes you home.”
Hells yeah.
“Prom Night” Soundtrack – Prom Night [1.39 MB]
“Prom Night” Soundtrack – Love Me Till I Die [1.25 MB]
The Descent: A Review

Six women go caving. Six women get trap by a cave-in. Six women discover they are not alone in the dark. Repeat: In the dark.
“The Descent” is one of the better horror films to come along in a long time. It works on quite a few levels. First, you have the relationships between the women. Everything begins good and then the tension starts once the cave-in hits. Secondly is just the fact that they are caving. It’s dark, dank and very claustrophobic down there. The feeling of unease and dread is already pretty damn high before the monsters even make their appearance. When they do (oh, man … it’s pretty cool!) that’s when all all the gore and mayhem starts. Like most other current horror films, the gore factor is pretty high in “The Descent” once it gets there. Those Crawlers are just plain nasty. A woman behind us in the theater kept squealing and gagging all through the end of the movie. Heh.
Who will be strong or lucky enough to make it out? Well, that you just gotta find out for yourself.
Now, here’s the kicker. The version is U.S. theaters has a truncated end. It’s missing the 1 minute continuation that ends the original British version. I really hate that this was done (thanks again, Lionsgate) as the original ending fits so much better with the tone of the film. It also wraps up a plot device that just gets totally dropped in the American version. If you have seen the film and want to check out the original ending, you can thanks to YouTube.
As for complaints about the movie … I have a major one. There is a plot device that pits two of our women against each other. I usually find that a horror film isn’t the greatest venue for that sort of thing. I can’t honestly buy that folks would stop to hash out their differences while being chased by a pack of nasty, flesh-eating cave dwellers. This plot point is a slightly less offensive in light of the original ending but just didn’t work for me as presented in the American version.
Bottom Line:
Definitely worth checking out. It gave me the willies.
“Choose Your Own Adventure”

Remember those books? Well, now it looks like there might be a trend like that for home movie viewing. If this new feature on the dvd release of “Final Destination 3” is even half as cool as it sounds then I have gotten my $13 bucks worth. I so have my fingers crossed that I can choose to have Ryan Merriman shirtless at some point during the movie.
I Cannot Understand …

