MonsterFest ’11 Wrap-Up

The laziness continues! I am now finally getting around to posting about MonsterFest 2011 which happened in the wilds of North Florida with Dr. Phibes and Co. over the days of October 20th – 24th.

Last year, I stated that it was the laziest MonsterFest ever … and I must say that this year probably rivaled that. That’s not a bad thing either. Vacations are for laziness. But, we weren’t lazy on that Sunday and rode down to St. Augustine for a look around (pictures to follow sometime soon).

Past that we relaxed, ate junk food, drank beer, napped, ate junk food, drank beer and (most importantly) watched horror movies!

Here’s a list of what we watched:
“House of Wax” (2005)
“Satan’s Slave”
“Red State” (which isn’t really a horror movie)
Elvira’s Movie Macabre “The Werewolf of Washington”
“El Orfanato”
“The Ghoul”
“I Spit On Your Grave” (1978)
“The Living Dead at the Manchester Morgue”
“Piranha” (2010)
“The House by the Cemetery”
“The Texas Chainsaw Massacre 2”
MST3K “The Touch of Satan”
“Just Before Dawn”
“Revenge of the Creature”
“Slither”
“Anthropophagus”
“Night Gallery” (Pilot Episode)
and
Episodes 1 & 2 of “The Walking Dead” Season Two

As always, big-ups to Dr. Phibes and Co. for a great time.

MonsterFest ’11 Wrap-Up

“American Horror Story” Thoughts


So, yeah. I was pretty excited when the preview for FX’s new series “American Horror Story” hit a few months ago. How quickly that excitement waned when the pilot episode finally aired at the beginning of October. Within that one hour, there were so many genre elements and plot devices. I wondered if the “everything but the kitchen sink” approach was a way to hook viewers and that subsequent episodes would be more focused. Sadly, after four more more episodes, it’s pretty obvious that’s not the case.

I am not sure if the creators/writers think that piling on so much actually makes for a good show. It doesn’t. Not only do we have the (crappy) extra marital affair family drama going on … we have an emo/suicidal daughter, a creepy neighbor that pops up at any given opportunity (apparently none of the doors have locks that can keep this woman out), a monster in the basement, a potential demon baby AND there are ghosts running around of just about everyone that has set foot in house before the previous owners did.

How about our family? Honestly, these are really characters you could care less about. The wife, Vivien (played by Connie Britton), is unemotional and just plain dull. The husband, Benjamin (played by Dylan McDermott), is either yelling or crying or yelling AND crying his problems (he cheated on the wife) to complete strangers. The daughter, Violet (played by Taissa Farmiga), is just emo for no real reason other than her character needs some sort of hook. And it doesn’t help that all our lead characters behave irrationally and there are HUGE jumps in logic in their thinking and actions at just about every turn.

Even the secondary characters are pretty bad. Jessica Lange does all she can but she can’t save every episode single handed. And poor Dennis O’Hare is just … [Chas. shakes head because Mr. O’Hare so underused with such a dumb character.]

I find the way the ghosts are treated to be questionable. Apparently, these ghosts can roam all over the city, be seen by everyone and interact with everyday objects. How would you like to have a ghost maid that can sweep and dust your house AND make you lunch? Could be pretty sweet because you wouldn’t have to pay her! And I won’t even get started on (what I found to be) the super offensively stereotypical gay couple that owned the house previously. There’s nothing quite like have a gay ghost running around your house shrieking about how badly you have decorated the place. Seriously.

The music the show uses is also a big problem. The creative team has apparently felt that it was wise to license a bunch of Bernard Herrmann‘s music. So, far they have cribbed from “Psycho,” “Vertigo” and “Twisted Nerve.” It’s a shame really. When you hear music from famous movies playing over scenes, it just serves to remind you of those better movies that the music came from. Maybe they are doing this to pay homage? Whatever the reason though, it just doesn’t work.

I have some friends who have been watching this show and think that it’s great and that it’s super scary. I just don’t get that. It’s an annoyingly bland mix of generic horror genre elements that relies on a too many cheap scares. Really, it’s more laughable than anything else … and that makes me sad. I was looking forward to another good “horror” television show. I guess I will just have to stick with “The Walking Dead.”

Because the only thing horrifying about “American Horror Story” is just how really bad it is.

“American Horror Story” Thoughts

Thor (2011)




Thor is “The God of Thunder?” Personally, I think he’s “The God of the Bulging Biceps, Pecs and Washboard Abs!” If there was any dialogue going on during the above pictured scene, I sure didn’t hear it. It was nice to to find out at dinner afterwards that Franke was likewise gawking during this scene. It wasn’t just me being all gay and drooling because Chris Hemsworth was shirtless. I wonder how many gym hours went into making that 1 minute of film.

Oh yeah, and the movie itself isn’t too bad either.

Thor (2011)

Let Me In (2010): Some Thoughts


So, critics and horror fans seem to love “Let Me In,” the Americanization of the Swedish film (and novel of the same name) “Let The Right One In.”

Me? Not so much. Maybe if I hadn’t seen the Swedish version first, I would be all up with love for “Let Me In.” But, that’s not the case.

Some things that I really liked in the Swedish version are gone … like the subplot involving neighbors in the apartment complex. That’s replaced but a subplot involved a cop that just really didn’t work for me. Also a major problem for me was the staging of the iconic scene in the swimming pool towards the end of the movie. For some reason the director thought it would be a great idea to stage this in the dark which muddies down seeing all the violence from the cool perspective of being underwater. Dr. Phibes will be happy that the bad CGI cat attack didn’t make it state side. But, alas, it’s been replaced with quite a few badly done CGI shots in other parts of the movie.

Ultimately, what makes “Let Me In” so lackluster is it slavish devotion to the original foreign version. If you’ve seen that, then there is nothing here that’s going to really wind your crank. You’re basically seeing the same movie … just in an American setting with different actors and some very minor plot changes. This was the big problem with “Quarantine” (the almost shot-for-shot remake of the Spanish film “REC“).

All this makes me wonder what the big Hollywood remake of “The Girl with the Dragon Tattoo” is going to be like. Will it be a bold reinvention or a “been there, seen that” affair like “Let Me In?”

Let Me In (2010): Some Thoughts

Movie Roundup


The Disappearance of Alice Creed (2009, UK)
I got this movie off Netflix after reading some good buzz on the web a few weeks ago … and I am glad I did. “The Disappearance of Alice Creed” is a tight little 3-person kidnapping thriller that has more twist and turns than the Tail of the Dragon. I won’t say too much as to not give away this movie’s charms. I’ll just say the acting and top notch and the directing very tight. You should check it out if you like a good thriller.


Black Swan (2010, USA)
I don’t want to say too much about “Black Swan” as this is another movie that is best experienced cold. After winning the lead role in “Swan Lake” is ballet dancer Nina (played with utter precision by Natalie Portman) really being stalked by a jealous rival … or is she slowly loosing her mind from the pressure of having the role of her life? Darren Aronofsky has crafted a dark nightmare that is at times utterly terrifying and utterly beautiful. It’s the best movie of the year. You seriously need to get to the movies and see “Black Swan” right now.


TRON: Legacy (2010, USA)
“Totally Disappointing” would be the two words I would use the describe “TRON: Legacy.” There was so much opportunity to make a fun exciting update of the TRON universe. That never happened. Instead we are saddled with a talk heavy CGI film … and it’s not even talk heavy because it’s plot heavy. Actually the plot is paper thin and ultimately makes no sense, so that makes the fact that there’s lots of dialogue and exposition all the more frustrating. Part of me wonders if they wouldn’t have been better off just doing a straight up remake of the original. One the plus side, Daft Punk’s score is cool and the visuals are really sweet. But, that’s just not enough to save “TRON” Legacy” from being a big bore. My advice would be to watch the youtube video for “Derezzed” and you get all the cool shit in 2 minutes as opposed to 2 hours.

Movie Roundup