Official Version

Dang! In just a little over three weeks we open “Bat Boy: The Musical.” It’s been fun and somewhat worrisome so far. I don’t think we have covered nearly enough ground at this point in time. But, it always seems to feel that way when you are “in” a show as opposed to being “in charge.” Probably doesn’t help either that we have been missing folks every single night due to pesky illnesses that have been going around. There’s more choreography to learn and more songs to cover over the next couple of nights. Next week we go “off book” so I have got to get off my ass and really start learning the lines and lyrics.

Here is the official version of the poster (designed by yours truly, of course, with a photo by Christy) …
Bat Boy: The Musical Poster

Official Version

“Bat Boy” is Coming

Bat Boy: The Musical
In about one month we will open “Bat Boy: The Musicalhere in town. It’s a show that I never, ever thought we would get to do in my sleepy little town … and now I am in rehearsals for it. Whoo! I have the juicy part of Dr. Thomas Parker which entails a lot of murder, mayhem and blood. Right up my alley you could say. We still have lots of lines, lyrics and choreography to learn but I can tell it’s gonna be super fun to perform. Below is a picture taken by Kat at one of last weeks music rehearsals. I be singin’!

Bat Boy Music Rehearsal

“Bat Boy” is Coming

Opening in One Week

In the Dressing Room
Yeah. I have been rehearsing another show (called “Minor Demons”) … and we open next Friday! This is Strodiggy and myself in the dressing room last night. Notice how he is pointing to the script which has now become the bane of our existence.

Opening in One Week

“Cabaret” Ends

Cabaret
After 16 sold out performances, backstage drama, injuries, replacements and one near death experience … the Kit Kat Club has closed its doors and is no longer open for business. Thanks to all the performers and patrons that made it a great run.

“Cabaret” Ends

Several Days Later

Rumors of my demise have been greatly exaggerated. It’s been a busy week and I haven’t had much to say.

I did get two sweet birthday gifts over the weekend thanks to Scott and Franke …
Scott’s 2-Part Gift (Warning: It’s definitely NSFW!)
Franke’s Gift (Mmmmm. Brains!)

I heart Zombies, Brains and Leather Toys!

In other news:
“Cabaret” started it’s final five performances last night … all of which are sold out! It’s been great having the show sell really well but I, for one, am ready to put this one to bed. It’s been a year of thinking and planning, casting, seven weeks of rehearsals, four weekends of performances.

28 Weeks Later” is coming from Netflix and that makes me excited. It’s gotten a lot of good buzz.

Echo Bridge’s new anamorphic widescreen release of “Prom Night” is now mine. That makes me super-duper excited!!!
Prom Night!

And don’t forget that “The Complete Peanuts: 1965-1966” is now in stores for your purchasing pleasure!
The Complete Peanuts: 1965-1966

Several Days Later

And Now … Another Review

This is from the Asheville Citizen-Times …

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Theater review: HART offers unique take on “Cabaret”
WAYNESVILLE – “Cabaret” has been performed many times in community theater. But at Haywood Arts Regional Theatre, director Charles Mills and company executive Steve Lloyd came up with a plan to make their version extraordinary and effective.

Their approach was to construct a large platform out over the audience seating area, where the action takes place. The audience is seated at bistro tables on the traditional stage. Literally turning around Waynesville’s Performing Arts Center, they have created more intimacy between the audience and actors, bringing the horror of Nazism close to all viewers.The cast serves as greeters and servers in the Kit-Kat Club before and between the acts. We become the “good Germans” who are drawn into the seductive appeal of decadence, debauchery and deviousness that was Berlin in the 1930s.

Mark Jones gives us an androgenous and seductive Emcee, with the help of gender-bending costumes by Cary Nichols and makeup by Beth Swanson. His slinky and sinister cabaret master of ceremonies suggests the way the German nation was programmed by the leaders of National Socialism. Jones carries the show with panache.

The other major role whose talents match the music is Julie Kinter as Sally Bowles, the impish young ingenue from Britain who finds herself out of her depth in the turmoil of Berlin in the 1930s. Kinter can carry a tune and emote with the best of ’em. Her romantic interest is the boyish and winsome David Ostergaard as the young American, Clifford Bradshaw, who has come to Berlin to write.

Beth Holmes’ choreography captures the feel of the original. Chuck Taft, Anne Rhymer, Linda Davis and David Bruce did their best to get the feel of the fine score by John Kandler. A few more real instruments and fewer electronic substitutes may have aided the support sounds behind the voices.

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All-in-all a good review. I just wonder if the reviewer would like to loan us a few thousand dollars so we could hire people to play “a few more real instruments.” This pisses me off ’cause I am in a “focus on the negative” mood today.

And Now … Another Review

Post Opening Weekend

Ja … ze show vent pretty vell zis veekend.

And the whole cast was running around talking in German accents. I came into work yesterday talking all strange and annoying. Heh.

So, yeah … the show went well. We had full house all three days but I am not sure if people know what to make of the show. I think there is a different expectation because of the Liza Minnelli movie version. It eliminated one of the major story lines (and those characters) and a lot of the “darkness” that comes into the story during Act II.

I must confess that it is fun to pull the safety net out from underneath the audience at the end of the show. So far all the performance have been greeted with dead silence when the show ends.

Tickets are going out the door pretty fast. From what I understand that just a few seats a night available at this point. We will add additional performances but only if the run sells out completely.

Post Opening Weekend

Opening Tonight!

Cabaret
It’s opening night … it’s opening night! Will it flop or will it go? We’ll find out after the cast takes it’s final bow tonight.

Then it’s just 14 performances (with maybe some additional ones) lasting until October 21st.

The following weekend after the show closes, I will be cruising down to the wilds of North Florida for some much needed R&R with Dr. Phibes and his crew. Yes!

Opening Tonight!

At The Theater

The Kit Kat Club is ready and now open for business. We do a benefit performance for a full house tonight and play to a sold out house for Opening Night. Here a sneaky peek with a few photos …

Cabaret
Cabaret
Cabaret

Also, we found out yesterday that the September 12th issue of the Washington Post had an article about “Unexpected Retirement Spots.” Not only was my sleepy, little hometown mentioned … but the theater got a nice plug as well.

Washington Post Plug

I wonder who Steve slept with to get this kind of mention …

At The Theater

Busted Down …

My brain is totally fried and done. I am at the point with the show that I usually hit about this time.

“It sucks.”
“People are going to hate it.”
“I never want to direct again.”

The rest of the production staff assures me that things are looking good and that show is going to rock. The calvary cavalry also rode into town last night and some things that I was worried/unhappy about are going to end up getting fixed as “Eagle Eyes” is now on the case. One more rehearsal and we have an invited audience for final dress on Wednesday and a full house of paying people for the preview on Thursday.

Hopefully I will get home from the theater tonight before 12:30 a.m. I need some serious Zzzzzzzzzz’s.

Busted Down …